Dr Rembrandt Duits

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Contact details

Name:
Dr Rembrandt Duits
Position:
Deputy Curator (Photographic Collection)
Institute:
Warburg Institute
Location:
WOBURN SQUARE, LONDON WC1H 0AB
Phone:
020 7862 8949
Email address:
Rembrandt.Duits@sas.ac.uk
Website:
http://warburg.sas.ac.uk/institute/staff_directory.htm

Research Summary and Profile

Research interests:
Cultural memory, Digitisation, Early Modern, History of art
Summary of research interests and expertise:

Renaissance art and material culture
 

Publication Details

Related publications/articles:

Date Details
15-Apr-2018 ‘Artistic Interactions between Byzantium and Italy in the Palaiologan Era. The Case of Hell’

Conference papers

 in A. Lymberopoulou (ed.) Cross-Cultural Interactions between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Papers from the Forty-Eight Spring Symposium of Byzantine Studies, Milton Keynes, 28th-30th March 2015, London and New York 2018, 74-101

21-Mar-2018 ‘Classified Iconography. A New Data Model for the Warburg Institute Iconographic Database’

Conference papers

 Introduction to the new data model developed for the Warburg Institute Iconographic Database, with its specific solutions for dealing with the iconography of images

01-Dec-2017 ‘“De slechtheyd heft menich gegheven wonder.” Karel van Mander over antieke draperie’

Articles

 in Een opmerkelijk oog. Essays opgedragen aan Jeroen Stumpel ter ere van zijn emeritaat (Article 2017), 46-49

28-Feb-2017 Micha Leeflang and Kees van Schooten, Middeleeuwse Borduurkunst uit de Nederlanden

Review

 Review of Mischa Leeflang and Kees van Schooten, Middeleeuwse Borduurkunst uit de Middeleeuwen, The Burlington Magzine No 1367, vol. 159 (February 2017), p. 146

01-Dec-2016 Dorothea McEwan, Fritz Saxl. Eine Biographie. Aby Warburgs Bibliothekar und erster Direktor des Londoner Warburg Institutes

Review

Review of Dorothea McEwan, Fritz Saxl. Eine Biographie. Aby Warburgs Bibliothekar und erster Direktor des Londoner Warburg Institutes, in Peritia. Journal of the Medieval Academy of Ireland 27 (2016), pp. 287-81.

01-May-2014 Gusto for Things: A History of Objects in Seventeenth-Century Rome

Review

 Review of Renata Ago, Gusto for Things: A History of Objects in Seventeenth-Century Rome’ in Renaissance Quarterly 67/2 (Summer 2014), pp. 594-595.

28-Mar-2013 Byzantine Icons in the Medici Collection

Chapters

in A. Lymberopoulou and Rembrandt Duits, Byzantine Art and Renaissance Europe, London: Ashgate, 2013, pp. 157-88

28-Mar-2013 Byzantine Art and Renaissance Europe

Edited Book

(with Angeliki Lymberopoulou)

01-Dec-2012 “Abiti gravi, abiti stravaganti”: Veronese’s Creative Approach to Drapery

Chapters

in Paolo Veronese. A Master and His Workshop in Renaissance Venice, exhibition catalogue, The John and Mable Ringling Museum of Art, Sarasota 2012

01-Jan-2012 'Veronese’s Creative Approach to Drapery'

Chapters

 in Paolo Veronese. A Master and His Workshop in Renaissance Venice, eds V. Brilliant and F. Ilchman, Sarasota, 2012 (exhibition catalogue)

01-Dec-2011 ‘Reading the stars of the Renaissance. Fritz Saxl and Astrology’

Articles

  in Journal of Art Historiography, 5, December 2011

01-Jan-2011 'Una icona pulcra'. The Byzantine Icons of Cardinal Pietro Barbo

Articles

Jackson, Philippa, and Rebecchini, Guido (eds), Mantova e il Rinascimento italiano. Studi in onore di David S. Chambers, Mantua, pp. 127-42.

01-Jan-2009 The Survival of the Pagan Sky. Illustrated Constellation Cycles in Manuscripts

Essay in conference volume Images of the Pagan Gods. London: The Warburg Institute/Nino Aragno

31-Dec-2008 Gold brocade and Renaissance painting : a study in material culture

London : Pindar Press

01-Jan-2007 Art, Class and Wealth

Chapters

Woods, Kim W., Richardson, Carol. R., and Lymberopoulou, Angeliki (eds), Viewing Renaissance Art, London and Milton Keynes: The Open University/Yale University Press, pp. 21-58.

01-Jan-2005 Celestial Transmissions. An Iconographical Classification of Constellation Cycles in Manuscripts (8th-15th Centuries)

Articles

Scriptorium, 59 (2), pp. 147-202

09-Jan-2002 The Waning of the Renaissance

Essay in conference volume Images of the Pagan Gods. London: The Warburg Institute/Nino Aragno

01-Jan-1999 Figured riches : the value of gold brocades in fifteenth-century Florentine painting

Articles

Journal of the Warburg and Courtauld Institutes, 62, pp. 60-92

Research Projects & Supervisions

Current PhD topics supervised:

Dates Details
From: 01-Oct-2017
Until: 30-Sep-2020
Art Collections of Art Historians

  

From: 01-Oct-2014
Until:
The French Renaissance of the Pagan Gods

 co-supervision with Dr Paul Taylor

Past PhD topics supervised:

Dates Details
From: 01-Oct-2012
Until: 30-Sep-2015
Drawing upon the Gods: Medieval Depictions of the Pagan Deities and their Relationship to Contemporary Ovidian Commentaries

 co-supervision with Prof Charles Burnett

From: 01-Oct-2011
Until: 30-Sep-2014
Exchange of Knowledge through Translation: Jan Baptista van Helmont and his Editors and Translators in the Seventeenth Century

 co-supervision with Dr Guido Giglioni

From: 01-Oct-2008
Until: 26-Mar-2011
Jan van Naaldwijk’s Chronicles of Holland

Co-supervision with prof. Jill Kraye

Available for doctoral supervision: Yes

Professional Affiliations

Collaborations:

Name Type Activity Start date End date
Damned in Hell in the Frescoes of Venetian-dominated Crete (13th- 17th centuries) Leverhulme international network project Research, Conferences, and Publication 01-Sep-2011 01-Sep-2013
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