Dr Elizabeth Savage

Contact details

Name:
Dr Elizabeth Savage
Position:
Lecturer and British Academy Postdoctoral Fellow in Book History and Communications
Institute:
Institute of English Studies
Location:
School of Advanced Study, University of London, Senate House, Malet Street, London WC1E 7HU
Email address:
elizabeth.savage@sas.ac.uk
Website:
https://sas.academia.edu/ElizabethSavage

Research Summary and Profile

Research interests:
History of art, History of the book
Regions:
Europe
Summary of research interests and expertise:
  • Fifteenth-century print culture and incunable studies
  • Sixteenth-century print, book and visual culture
  • Early modern illustrations
  • Visual paratexts, including printer’s devices and ornaments
  • The history of collecting printed material
  • Colour printing in the hand-press period, 1450-1830
  • Historical materials, techniques and workshop methods for printing, especially in relief
Publication Details

Publications available on SAS-space:

Date Details
Dec-2009 A Visual Timeline for A Heavenly Craft

NonPeerReviewed

review of A Heavenly Craft, ed. Daniel De Simone

Mar-2012 Plays of Light and Blazes of Colour

NonPeerReviewed

review of Melanie Grimm, et al., Lichtspiel und Farbenpracht

Apr-2012 The Wonders of the Kunstkammer: Habsburg Collections Come to Cambridge

NonPeerReviewed

review of Splendour & Power: Imperial Treasures from Vienna (Fitzwilliam Museum, Cambridge)

Research Projects & Supervisions

Available for doctoral supervision: Yes

Professional Affiliations

Professional affiliations:

Name Activity
International Council of Museums Member, UK Committee
Printing Historical Society Member, Publications Committee

Collaborations:

Name Type Activity Start date End date
Graphic Arts Group Member
Relevant Events

Related events:

Date Details
15-Sep-2017 Aberystwyth Bibliographical Group: ‘Early Colour Printing and Book Illustration’, Symposium

31-Mar-2017 Philadelphia Museum of Art and Kislak Center for Special Collections, University of Pennsylvania: ‘Paper, Ink, and Fabric? Illustrating the Book of St Albans, 1486’, Objects of Study: Paper, Ink, and the Material Turn

30-Sep-2016 Kislak Center for Special Collections, University of Pennsylvania: ‘The Language of Scientific Illustrations: Cross-Disciplinary Cataloguing Conundrums’, Materiality of Scientific Knowledge: Image-Text-Book

01-Sep-2016 The 15th Century Conference (Royal Holloway, London): ‘An Unidentified Fifteenth-Century Printing Technique? Reconstructing Workshop Methods for the Book of St Albans, 1486’

01-Jul-2016 King’s College, Cambridge: “Spotlit” Soldiers: Sixteenth-Century Works-in-Progress or Eighteenth-Century Forgeries?’ Retirement Symposium and Celebrations in Honour of Jean Michel Massing

20-Jun-2016 Cambridge University Library: ‘A Previously Undescribed Printing Technique? Re-examining the 1486 Book of St Albans’

12-May-2016 Library of Congress (Washington, DC): Ad Stijnman/Elizabeth Savage, ‘Printing Colour 1400–1700’, lecture and book signing

25-Apr-2016 Huntington Library (San Marino, California): ‘A Previously Undescribed Printing Technique? Re-examining the 1486 Book of St Albans’

20-Mar-2016 University of Reading: ‘Deciphering the First Colour-Printed Images in England: The Book of St Albans, 1486’

23-Feb-2016 Faculty of English, Cambridge University: Renaissance Research Workshop

12-Feb-2016 Courtauld Institute of Art (London): ‘‘Whitewashing’ the Early Modern Print’, Placing Prints: New Developments in the Study of Print, 1400-1800

19-Oct-2015 Oxford Bibliographical Society, Oxford University: ‘“Unmasking" the Most Common Colour-Printmaking Technique in Early Modern Europe'

23-Sep-2015 John Rylands Research Institute, University of Manchester: ‘A Baffling Breakthrough? Making Colour in the 1486 Book of St Albans’, Research Seminars

26-Mar-2015 Renaissance Society of America/Historians of Netherlandish Art (Berlin): 'Frankfurt Printers and the Market for Colour Prints in the Sixteenth Century', Frankfurt and the Art Market in the Sixteenth Century: Prints and Books

20-Jan-2015 Gonville and Caius College, Cambridge: 'The Many Inventions of Colour Printing: Art, Books and Ephemera, 1470-1600', Comparative Social and Cultural History Seminar, Faculty of History

11-Dec-2014 Zentralinstitut für Kunstgeschichte (Munich): 'Burgkmairs Farbholzschnitte', Hans Burgkmair: Neue Forschungen zu einem Künstler der deutschen Renaissance, 11-13 Dec (unable to attend)

13-Nov-2014 St Bride Institute (London): 'Manuscript to Press to Binding: Red Frisket Sheets and the Creation of Colour Printing, c.1490-1630', Landmarks of Printing: from Origins to the Digital Age, Printing Historical Society 50th Anniversary Conference

08-Nov-2014 Kunsthistorisches Institut, Philipps-Universität (Marburg, Germany): 'Moondials & Maps, Medicine & Mathematics: Printing Colour in Early Scientific Publications', Naturwissenschaft & Illustration im 15.-16. Jh.

09-Oct-2014 John Rylands Library, University of Manchester: 'The Materiality of the Press: Use and Reuse in Early Modern Printshops', Print and Materiality in the Early Modern World

07-Jul-2014 Herzog August Bibliothek (Wolfenbüttel, Germany): 'Mapping the Dissemination of Early Colour Printmaking Technologies, 1476-c.1600'

27-Jun-2014 Herzog August Bibliothek (Wolfenbüttel, Germany): 'Printing the 1505 Missale Constantiense: New Artefacts from Erhard Ratdolt's Press'

14-Jun-2014 St John's College, Cambridge: 'Colouring the Reformation Book', Reform and Reformation: The Seventh Research Colloquium

02-Jun-2014 British Library (London): 'Reconstructing Early Modern Workshop Practice for Colour Printing, c.1490-1630', Seminar on Textual Bibliography for Modern Foreign Languages

12-Feb-2014 College Art Association (Chicago): 'Early Modern "Decals": Printing Intarsia in the German-Speaking Lands, c.1550-c.1650', Objectifying Prints: Hybrid Media 1450-1800

10-Feb-2014 University of Chicago: 'Hiding in Plain Sight: Rediscovering Printed Colour in Early Modern Europe, 1500-1600'

26-Jan-2014 Bibliographical Society of America (Grolier Club, New York): 'The Earliest Artifacts of Color Printmaking in the West: Red Frisket Sheets, c.1490-1630', annual conference

16-Jan-2014 Warburg Institute, University of London: 'Colour Printing in the Renaissance: The Strasbourg Edition of Ptolemy's Geography (1513)', Map and Society Lectures

27-Nov-2013 Universidade do Porto: Ad Stijnman/Elizabeth Upper, 'The Colourful Printed Past: Early Colour Printmaking, 1450-1700', Pure Print: Classical Printmaking in Contemporary Art

18-Oct-2013 American Printing History Association (Grolier Club, New York): 'Rediscovering Colour in German Graphic Art, 1487-ca. 1600', Seeing Color/Printing Color (annual conference)

16-Oct-2013 Darwin College, Cambridge: 'Early Modern Colour Woodcuts (They Existed!) and Their International Context (There were Lots of Them!)', Humanities Talks

01-Oct-2013 Centre for Research in the Arts, Humanities and Social Sciences, Cambridge University: 'ArtStor: A Case Study', Managing Digital Images: An Introduction for Researchers

27-Sep-2013 Early Modern Studies Institute, University of Southern California/Huntington Library: 'Saving Waste: Early Modern Colour Frisket Sheets as Palimpsests of Functions', Ephemerality and Durability in Early Modern Visual and Material Culture

15-Aug-2013 Folger Shakespeare Library (Washington, DC): 'Palimpsests of Functions: Manuscripts as Frisket Sheets for Colour Printmaking as Binding Scraps', New Bownde: New Scholarship in Early Modern Binding

18-May-2013 Kanazawa College of Art (Kanazawa, Japan): Ad Stijnman/Elizabeth Upper, 'Early European Colour Prints, 1450-1800, with a Note on Colour-printed Early Japanese Etchings'

01-May-2013 Cambridge Bibliographical Society, Cambridge University: 'Beheaded Cows, English Religious Politics and the Title Vignette of Rede me and be nott wrothe (1528)'

22-Mar-2013 Early Modern Research Centre, University of Reading: 'A Survey of Early Modern Colour Printmaking in Europe', Printed Image and Decorative Print, 1500-1750

21-Mar-2013 British Museum (London): 'Printing with Gold before the Reformation', Colour in Prints and Drawings, Graphic Arts Group

12-Mar-2013 University of Wales (Trinity Saint David, Bangor University and Aberystwyth University, via Welsh Video Network): 'The Invisibility of Colour in European Printmaking, 1500-1600', Research Seminar, Institute for Medieval and Early Modern Studies

21-Feb-2013 Centre for Material Texts, Cambridge University: Ad Stijnman/Elizabeth Upper, 'Cycles of Invention: Historical Developments of "New" Innovations in Colour Printing, c.1600-1700'

18-Dec-2012 Bibliographical Society, Society of Antiquaries (London): 'Colour Printmaking in Tudor Books'

15-Oct-2012 British Museum (London): 'Erasmus Loy's Printed "Intarsia"', Graphic Arts Group

28-Jun-2012 Technische Universität Berlin: Ad Stijnman/Elizabeth Upper, 'Early Modern Colour Printing, 1600-1700', Colour in the 17th and 18th Centuries: Connexions between Science, Arts, and Technology

10-Feb-2012 King's College, Cambridge: 'God's Red Fingernails & Half a Wild Child: Accident and Innovation in Colour-Printed Book Illustrations from Early Modern Germany, ca. 1500-1550', King's College Seminar

08-Dec-2011 CRASSH, Cambridge University: 'Blood in Books and Woodgrain on Walls: Previously Unknown Functions of Colour Woodcuts in Sixteenth-Century Germany', Impressions of Colour: Rediscovering Colour in Early Modern Printmaking, ca 1400-1700

02-Nov-2011 Justus-Liebig-Universität (Gießen, Germany): Alice Klein/Elizabeth Upper, 'Die Drucker Schott und Grüninger: Straßburg, ein Zentrum der Farbdruckerei um 1510-1530', Druckvorgänge: Drucktechniken vor 1600

17-Oct-2011 Warburg Institute, University of London: 'The (Re)Inventions of Colour Printing: The Significance of Johann Grüninger's Failed Experiments of 1517-1518', Art History Seminar

01-Jul-2011 Research Centre for Book, Text and Place, Bath Spa University: 'Printing Colour in Early Modern German Book Illustrations: The Significance of Johann Grüninger's Failed Experiments of 1517-1518', Book Encounters 1500-1750

01-May-2011 History of Art, Cambridge University: 'Printing Colour in the Age of Dürer: German 'Chiaroscuro' Woodcuts, 1487-ca. 1572',

24-Mar-2011 Renaissance Society of America (Montreal): Elisabeth Giselbrecht/Elizabeth Upper, 'Golden Woodcuts and Movable Notes: Printing Technology and Patronage in Early Modern Germany', Decorated Music: Visual Art in a Musical Context

24-Nov-2010 Fitzwilliam Museum (Cambridge): 'The Prestige of Printing in Gold and…Gray? New Research on Hans Burgkmair's Maximilian I (1510)', New Research Lecture Series

30-Apr-2010 King's College, Cambridge: 'Printing Gold in the "Golden Age" of German Prints', Lunchtime Seminar

03-Feb-2010 Interdisciplinary Early Modern Seminar, Cambridge University: 'Mit Fleiss getruckt': The Glittering Coat of Arms of Cardinal Matthäus Lang von Wellenburg in Ludwig Senfl's Liber selectarum cantionum (1520)

Knowledge transfer activities:

Details
German Renaissance Colour Prints (British Museum, Nov 2015-Jan 2016)

Tudor Colour Printing (Cambridge University Library, Dec 2013-Jan 2014)

European Colour Woodcuts, 1500-1600. section of 'Good bookes to be sought': Munby the Collector (Cambridge University Library, June-Sept 2013)

Consultancy & Media
Available for consultancy:
Yes
Media experience:
Yes
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